抽象畫的意境和它的主題

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Joan Mirò – Alfred Jarry and ‘Ubu Roi’


Alfred Jarry (1873-1907) was born and brought up in Brittany. He was educated at the lycée in Rennes and the genesis of his most famous character, Ubu, can be traced back to his schooldays. Jarry’s physics teacher was named Hébert who, in the estimation of some of his pupils, was a figure of ridicule, being fat and ineffectual, although well meaning. Together with a school friend Jarry wrote a play for marionettes called Les Polonais (The Poles) in which the principal character was named Père Heb. The latter was based upon the hapless Hébert who was lampooned by being given a gross, misshapen body and only three teeth. Jarry later developed Père Heb into the figure of Ubu in his best known play Ubu Roi (1896). The title is variously translated as King Ubu or King Turd..
In the play the character of Ubu grew out of school legends about the imaginary life of the despised teacher who, according to legend, had been at one point a slave on a Turkish galley, at another frozen in ice in Norway and at another point the King of Poland. Amongst other things the play also parodies the plot lines of several Shakespearian dramas, inclu