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The Piano Concerto No. 1 in B-flat minor by Pyotr Ilyich Tchaikovsky, Op. 23, was composed in November 1874 - February 1875 at the instigation of the piano virtuoso Nikolai Rubinstein, director of the Moscow Conservatory. It was revised in the summer of 1879 and again in December 1888. It is the most famous of the three piano concertos written by Tchaikovsky.
Structure
The concerto follows the traditional form of three movements:
Allegro non troppo e molto maestoso - Allegro con spirito (B flat minor)
Andantino simplice - Prestissimo (D flat major)
Allegro con fuoco (B flat minor → B flat major)
The concerto is famous for the dramatic tension between soloist and orchestra. It is markedly symphonic in character and differs considerably from the more musically conservative and outwardly virtuoso type of concerto that was then widely popular in Russia. Nonetheless, the technical demand placed upon the pianist remains considerable. For example, there are several passages with rapid octave movement. Speed and awkward note arrangement create further difficulties. As well, a performer must keep up with the overall monumental nature of the work with a very powerful tone that often dominates over the orchestra.
The well-known theme of the introductory section to the first movement is based on a melody that Tchaikovsky heard performed by blind beggar-musicians at a market in Kamenka, near Kiev in Ukraine. This, the best-known passage in the entire concerto, is notable also on account of its formal independence of the movement as a whole. It is not in the concerto's nominal key of B flat minor, but instead it is in the relative major key of D-flat. Despite its very substantial nature, the theme is only heard twice, and never subsequently reappears in the concerto.