急!!The Compare of Baroque & Classical Period

Baroque Period describes an era and a set of styles of European classical music which were in widespread use between approximately 1600 and 1750 (see Dates of classical music eras for a discussion of the problems inherent in defining the beginning and end points). This era is said to begin in music after the Renaissance and to be followed by the Classical music era. The original meaning of "baroque" is "shiny pearl", a strikingly fitting characterization of the architecture and design of this period; later, the name came to be applied also to its music. Baroque music forms a major portion of the classical music canon. It is widely performed, studied and listened to. It is associated with composers and their works such as J.S. Bach's Fugues, George Friedrich Händel's Hallelujah Chorus from Messiah, Antonio Vivaldi's Four Seasons, and Claudio Monteverdi's Vespers of 1610. During the period, music theory, diatonic tonality, and imitative counterpoint developed. More elaborate musical ornamentation, as well as changes in musical notation and advances in the way instruments were played also appeared. Baroque music would see an expansion in the size, range and complexity of performance, as well as the establishment of opera as a type of musical performance. Many musical terms and concepts from this era are still in use today.

The notes in music are usually played in non legato style, detached.

The Classical period in Western music occurred from about 1730 to 1820, despite considerable overlap at both ends with preceding and following periods, as is true for all musical eras. Although the term classical music is used as a blanket term meaning all kinds of music in this tradition, it can also occasionally mean this particular era within that tradition.

The Classical period falls between the Baroque and the Romantic periods. Probably the best known composers from this period are Wolfgang Amadeus Mozart and Ludwig van Beethoven, though other notable names include Muzio Clementi, Joseph Haydn, Johann Ladislaus Dussek, Carl Philipp Emanuel Bach, and Christoph Willibald Gluck. Beethoven is also regarded either as a Romantic composer or a composer who was part of the transition to the Romantic; Franz Schubert is also something of a transitional figure. The period is sometimes referred to as Viennese Classic, since Mozart, Haydn, Beethoven, and Schubert all worked at some time in Vienna.

The notes in music are usually played in more legato style, sometimes detached and with occasional use of the pedal.


You can find some other details in the Donald J Grout, A History of Western Music