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Leonardo da Vinci
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"Leonardo" and "Da Vinci" redirect here. For other uses, see Leonardo (disambiguation) and Da Vinci (disambiguation).
Leonardo da Vinci
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Portrait in red chalk, circa 1512 to 1515.[1]
Birth name
Leonardo di Ser Piero da Vinci
Born
April 15, 1452
Anchiano, Florence, Italy
Died
May 2, 1519
Amboise, Indre-et-Loire, France
Nationality
Italian
Field
Many and diverse fields of arts and sciences
Movement
High Renaissance
Famous works
Mona Lisa, The Last Supper, The Vitruvian Man
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The Mona Lisa
Leonardo di ser Piero da Vinci (April 15, 1452 – May 2, 1519) was an Italian polymath: scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, musician, and writer.
Biography
Early life, 1452-1466
Leonardo was born on April 15, 1452, in Anchiano, a hamlet near the town of Vinci in the lower valley of the Arno, within the territories of Florence.[4]
Leonardo was later to record only two incidents of his childhood. One, which he regarded as an omen, was when a hawk dropped from the sky and hovered over his cradle, its tail feathers brushing his face.[5]
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Leonardo's earliest known drawing, the Arno Valley, 1473.
The second incident occurred while he was exploring in the mountains. He discovered a cave and recorded his emotions at being, on one hand, terrified that some great monster might lurk there and on the other, driven by curiosity to find out what was inside.
At the age of five, he went to live in the household of his father, grandparents and uncle, Francesco, in the small town of Vinci, where his father had married a sixteen-year-old girl named Albiera, who loved Leonardo but unfortunately died young.
Vasari tells the story of how a local peasant requested that Ser Piero ask his talented son to paint a picture on a round plaque. Leonardo responded with a painting of snakes spitting fire which was so terrifying that Ser Piero sold it to a Florentine art dealer, who sold it to the Duke of Milan. Meanwhile, having made a profit, Ser Piero bought a plaque decorated with a heart pierced by an arrow which he gave to the peasant.
Section references: Liana Bortolon,[5]Vasari[6]
Verrocchio's workshop, 1466-76
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The Baptism of Christ by Verrocchio and Leonardo
In 1466 Leonardo was apprenticed to one of the most proficient artists of his day, Andrea di Cione, known as Verrocchio. The workshop of this famous master was at the centre of the intellectual currents of the day. Among those apprenticed or associated with the workshop were Perugino, Botticelli, and Lorenzo di Credi, assuring the young Leonardo of an advanced education in all branches of the humanities.
As a fourteen-year-old apprentice Leonardo would have been trained in all the countless skills that were employed in a traditional workshop in which the artists were regarded primarily as craftsmen and only a master such as Verrocchio had social standing.
The products of Verrochio’s workshop would have included decorated tournament shields, painted dowry chests, christening platters, votive plaques, small portraits, and devotional pictures. Major commissions included altarpieces for churches, and commemorative statues. Although many craftsmen specialised in tasks such as frame-making, gilding and bronze casting, Leonardo would have been exposed to a vast range of technical skills and had the opportunity to learn drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics and carpentry as well as the obvious artistic skills of drawing, painting, sculpting and modelling.