奧普藝術(OP Art)即光效應藝術,使用光學的技術營造出奇異的藝術效果。 これらの操作芸術の芸術家 Jesús-Rafael Soto, Carlos Cruz Diez, Youri Messen-Jaschin, Julio Le Parc.
圖片參考:
http://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Nuvola_apps_package_graphics.png/25px-Nuvola_apps_package_graphics.png
奧普藝術是一個與藝術相關的小作品。你可以通過編輯或修訂擴充其內容。
"Jesus Rafael Soto"
"Cruz Diez"
"Youri Messen-Jaschin Op art"
"Youri Messen-Jaschin Op art"
"Julio Le Parc"
取自"
http://zh.wikipedia.org/w/index.php?title=%E5%A5%A5%E6%99%AE%E8%89%BA%E6%9C%AF&variant=zh-tw"
頁面分類: 藝術小作品 | 藝術類型
圖片參考:
http://upload.wikimedia.org/wikipedia/commons/thumb/b/be/Roy_Lichtenstein_House_I.jpg/250px-Roy_Lichtenstein_House_I.jpg
圖片參考:
http://en.wikipedia.org/skins-1.5/common/images/magnify-clip.png
House I, created by Roy Lichtenstein in 1996, is designed to be an optical illusion. The house is inverted; the point that seems to be the nearest corner is actually the farthest from the viewer.
Op art, also known as optical art, is used to describe some paintings and other works of art which use optical illusions. Op art is also referred to as geometric abstraction and hard-edge abstraction, although the preferred term for it is perceptual abstraction. The term "Op" bears resemblance to the other popular movement of the 1960s, Pop Art though one can be certain such monikers were invoked for their catchiness and not for any stylistic similiarities.
"Optical Art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing."[1] Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.
Contents[hide]
1 Historical Context
2 Origin of "Op"
2.1 The Responsive Eye
3 How Op Works
3.1 Black & White and the Figure-Ground Relationship
3.2 Color
3.2.1 Color Interaction
4 Exhibitions
5 Photographic Op art
6 References
7 External links
[edit] Historical Context
Op Art is derived from the constructivist practices of the Bauhaus. This German school, founded by Walter Gropius, stressed the relationship of form and function within a framework of analysis and rationality. Students were taught to focus on the overall design, or entire composition, in order to present unified works. When the Bauhaus was forced to close in 1933, many of its instructors fled to the United States where the movement took root in Chicago and eventually at the Black Mountain College in Asheville, North Carolina, where Anni and Josef Albers would come to teach.
2006-12-17 21:50:00 補充:
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